by Doug Lichtman
The Conversation
June 24th, 2008
I think copyright law should do what it can to accommodate as many business models as plausible. So if new technology can lead to a rebirth of local live performances, copyright law should try to support those efforts. And if Paramount thinks that there is still room for the major motion picture even now, copyright law should again endeavor to leave that door open.
by Rasmus Fleischer
The Conversation
June 24th, 2008
Any intelligent discussion about copyright and movies must carefully define what it is that the law should safeguard. Is it the artistic use of moving pictures in general, or is it the format of big-budget feature films under conditions established in the last century?
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